“The Fruit of his Masonic Skill and Industry:” Painting for the Craft
In 1847, Boston ornamental and decorative painter Thomas Savory (1818-1896) advertised in the Freemason’s Monthly Magazine that he made “Banners, aprons, and every variety of painting for Lodges, chapters & c….” with “neatness and dispatch.” Savory, like many painters before him, saw a business opportunity in serving the Masonic community. A member of St. John’s Lodge, Savory was familiar with Freemasonry’s symbols, ritual and governance. Not every artist who painted tracing boards, aprons or furniture for lodges was a Mason. Some joined, in part, to be better positioned to attract Masonic customers. For example, artist Nathan Negus (1801-1825) learned about Freemasonry as an apprentice. Later he became a member of a lodge, actively sought Masonic commissions, and took pride in his work on what he described as “an elegant Masonic Hall.”